Head of Programme, Arnolfini

Curator/Producer, McCarthy-Swann Projects


for details of employment, see here


selected works


NETHERWORLDS; Seventh Gallery (curatorial project, McCarthy-Swann Projects)

The Size of Air; public artwork by Kinly Grey (curatorial project, McCarthy-Swann Projects)

The Weight of Light; public artwork by Meagan Streader (curatorial project, McCarthy-Swann Projects)

I JUST CAME TO SAY GOODBYE; Brisbane Festival (contemporary performance with The Good Room)

These Frozen Moments; public curatorial project.

Brave New Worlds; public curatorial project.

NETHERWORLDS; The Walls Art Space  (curatorial project, McCarthy-Swann Projects)


Australian Program: work by Casey Jenkins, James McAllister, Stelarc – Venice International Performance Art Week; Palazzo Mora, European Cultural Centre (Associate Curator, supporting Leisa Shelton)

NETHERWORLDS; firstdraft ARI (curatorial project, with Amy-Clare McCarthy)

SONIC STATE; Metro Arts (project producer).

The Tragedy of King Richard III; La Boite Theatre (contemporary performance; Devisor/Designer)


I Want To Know What Love Is; Brisbane Powerhouse (restaging of 2014 contemporary performance work; with The Good Room)

Slipstream / Festival of Time Based Art; Metro Arts (curatorial project).


I Want To Know What Love Is; Queensland Theatre Company & Brisbane Festival  (contemporary performance; with The Good Room).

Brisbane Experimental Art Festival; Judith Wright Centre of Contemporary Art (curatorial project).


Scaffold; Room60 (durational performance, curated by Rebecca Cunningham).


Maintain & Critical Boundary; Metro Arts, Brisbane (laboratory process, forums, performance, objects, and installation; with Transparency Collective).

illuminated/solitary/infinite/perfectly motionless/equipped with precious volumes/useless/incorruptible/secret, Kings Artist Run Initiative, Melbourne (durational performance and installation).

Basilica, Melbourne Festival & Schoolhouse Studios (durational performance and installation; with Kali Rose and Marita Fox).


States of Change, Punctum, Castlemaine (durational performance; with Transparency Collective).

Yes It Does Bother Me; This Is Not Art, Newcastle (durational performance; collaboration with Kali Rose).

New Stonnington; commissioned as part of ATLAS, Keynote Project of the Melbourne Fringe Festival. (see more here).

3-DAY.05_TRANSPARENCY COLLECTIVE; Dear Patti Smith, Melbourne (durational performance and installation; with Transparency Collective).

Untitled Paternal Reflection; FreeRange, MetroArts, Brisbane (durational performance and objects; with Transparency Collective).

illuminated/solitary/infinite/perfectly motionless/equipped with precious volumes/useless/incorruptible/secret; inbetweenspaces, Brisbane (performance and installation).


Invited performative occupation of Elizabeth Presa’s work, Interior Castle; Linden House, Melbourne (performance).

Foreclosure; inbetweenspaces, Brisbane (performance).

3Square; Conical Gallery, Melbourne (collaborative performance & installation).


2016-17 Postgraduate Diploma (Curatorial Practice in Performance), Wesleyan University, CT USA.

2010 Postgraduate Diploma (Performance Making), Victorian College of the Arts.  Graduated with First Class Honours.

2005 Bachelor of Fine Arts (focusing on Stage Design), Queensland University of Technology.  Graduated with Distinction.